Artist Brent Holmes’ ‘Crass’ take on commercialism

Illustration: Brent Holmes

Artist Brent Holmes’ Barfing Rainbows exhibit last year featured digital works and paintings that ranged from weirdly jarring to philosophically profound. In Crass Doesn’t Sell, he takes a similar approach but with a more intentionally polished outcome and marketing angle.

With a background in graphic design, Holmes is keenly aware that advertising is an effective visual language, and he uses it as a tool in works addressing commerce, commercialism and art.

The Details

Crass Doesn't Sell
Through December 23. 303 North Studio (inside Joseph Watson Gallery), Arts Factory, 742-6241.
Opening reception December 6, 6-9 p.m.

His collage-based
prints incorporate glamour and fashion photography, witty text and models 
delivering mixed but pointed messages. Included is iconography lifted 
directly from global currencies (“tiny pieces of artwork you put in your pocket for goods and services,” Holmes says). Exuding from all of that is the crassness, which, it was pointed out to him during a previous exhibit, does not sell.

In Crass, he goes after what he calls “ivory-tower notions of art”
and accumulations of money, while delivering sweet poetry and well-thought-out visual discomfort.
“This is the same exact thing we’d use to sell somebody underwear or toothpaste,” he says. “I’m trying to sell you a thought, revelation or

Photo of Kristen Peterson

Kristen Peterson

Get more Kristen Peterson

Previous Discussion:

  • Once again, the JustKids studio has curated a striking assortment of murals, with a few eye-popping standouts.

  • It’s not the craziest idea to visit the festival just to see the art, and this year there’s more of it than ever.

  • Like the other critters lurking among the 32 works, the pickled fish carry environmental messages.

  • Get More Fine Art Stories
Top of Story