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[Art Pop]

Rufus Wainwright

All Days Are Nights: Songs for Lulu

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Rufus Wainwright, All Days Are Nights: Songs for Lulu

I’ve always enjoyed Rufus Wainwright’s rococo extravagances on disc, but All Days Are Nights: Songs for Lulu is the intimate, unadorned album I’ve hoped for—just piano and Wainwright’s voice, which resembles a cello, with its fine grain and dark timbre.

These nakedly emotional nocturnes describe a particularly eventful year, which included the deep-end debut of his first opera, Prima Donna (in French), and the death of his mother, the folk-music eminence Kate McGarrigle.

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Rufus Wainwright
All Days Are Nights: Songs for Lulu
Four stars
Beyond the Weekly
Rufus Wainwright, official site
Billboard: All Days Are Nights: Songs for Lulu

As such, All Days is not upbeat—in fact, it’s mopier than Morrissey—which is not in itself a failing. If you’re not okay with more than a touch of melancholy, this is probably not for you.

Here’s a chance to hear Wainwright working out at the piano, sigh-singing in three languages: English, French and Shakespeare. The winding melody of “Martha” is a direct plea to his sister, singer-songwriter Martha Wainwright, to pick up the phone and deal with the family’s troubles; “Les Feux D’Artifice T’Appellent” is the concluding aria of Prima Donna.

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Previous Discussion:

  • The California goth-punk veterans are an efficient hard-rock machine, as they proved over the course of 70 minutes.

  • The three-night total: 77 songs, without a repeat. That’s how you take over a venue.

  • He changed costumes often, but it would have been a fun set even with my eyes closed.

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