Dalí, Picasso, Van Gogh and Warhol are indisputably iconic artists. Their works have left lasting impressions on generation after generation, and have been torn apart and examined in every which way. These dissections, which grow tiring after some time, embody the art world’s attempt to redefine what it means to be iconic in a contemporary age. A new exhibit at Bellagio Gallery of Fine Art challenges that very tendency.
Icons of Contemporary Art cuts to the chase, offering a platform that introduces us to a gallery of living artists who are breaking the mold through their diverse use of mediums. Curated by art advisor Ralph DeLuca, the intimate gallery highlights unique pieces from Yoshitaka Amano, Sanford Biggers, George Condo, Esther Mahlangu, the Haas Brothers and more.
“This is a small survey of artists who are not only going outside of their work, they’re revolutionary in thought and approach in their work,” says Demecina Beehn, MGM Resorts International’s director of art and culture. Art is an ingrained part of MGM Resorts’ corporate DNA, and Beehn emphasizes that this venture is just the beginning of the company’s efforts to celebrate innovative art forms.
Icons is a breath of fresh air, creating an intersection of these world-renowned artists with Vegas visitors and our local community. The exhibit’s purpose extends beyond mere education and entertainment; it aims to stimulate thought. In a culture of fleeting attention spans, slowing down and making connections between different works is crucial.
But, as always, art is subjective to the viewer. Here are a few pieces that stood out during a recent visit.
“Invisible Lip Tutorial” by Gina Beavers (2022)
The eight separate pastel pieces were at first just a pretty sight. Upon further examination, I could see the painstaking details that Beavers seems to have taken a long time on—pale lips emphasizing spots of blood-red lip stain. This was Beavers’ take on the online makeup tutorials that permeate our algorithms. After examining the extended piece for some time, I realized we come across these images so often that we lose track of their significance.
“Devaloka” by Yoshitaka Amano (2010)
I impressed myself when I initially guessed the use of automobile paint on this Amano piece—the glittering backdrop for the scene glistens in a way typically seen on restored classic cars. But this piece was more than its paint: The scene refers to Indian religions, while characterizing the god-like creatures in Amano’s signature Japanese manga style. It’s captivating and left me wanting to revisit its grand presence just to attempt to find its little details.
“ICON” by Rashaad Newsome (2014)
Newsome’s videographic piece is a pleasant surprise and unfolds an exploration of identity. The 9-minute video showcases queer Black vogue performers and creates a virtual space for them to shine. Ballroom culture was a sacred space in the LGBTQ+ community that was born in New York City years ago, and this piece harkens back to its glory days. As Beehn puts it, “This piece explores forms of opulence, architecture, choreography and challenges the use of space.”
ICONS OF CONTEMPORARY ART Through March 31; daily, 10 a.m.-6 p.m.; $18. Bellagio Gallery of Fine Art, bellagio.mgmresorts.com.
