SCREEN

TIBET: CRY OF THE SNOW LION

Jeffrey Anderson

With his new documentary Tibet: Cry of the Snow Lion, director Tom Peosay looks at the 50-plus-year conflict between China and Tibet, and there's no question which side he's on.


Peosay demonstrates that Tibetans have already figured out a spiritually balanced way of life (many Americans have turned to Buddhism as a way of finding peace and emotional centering) while the Chinese are shown as nothing more than unwanted, violent persecutors who wish to use optimally located Tibet as a foothold in their empire. Peosay gives Chinese government officials very little time for argument, and the only rebuttal they give is that they're trying to bring the peaceful Tibetans up to date.


The film counters this statement by showing a Tibetan nun describing her brutal torture by the Chinese military, while the Dalai Lama himself speaks with great elegance of peace and passive resistance. Peosay makes up for his lack of journalistic objectivity with great passion and the film's vivid beauty and crystal precision. He is clearly as enamored with the Tibetan way of life, peaceful rituals, colorful clothing and dedication to study, all framed beneath the majestic Himalayas, as he is by their persecution.


It's easy to get riled up while watching Cry of the Snow Lion, especially when the film hits home. In one scene, Peosay reveals that Tibetans annually spend an equal proportion of money on education and enlightenment as Americans do on defense. Indeed, American movie stars Martin Sheen, Susan Sarandon, Tim Robbins and Ed Harris were apparently moved enough to lend their narration and voice-overs to the movie.


Yet, even though Peosay spent a decade working on his film, it still comes down to the usual talking heads and stock footage, PBS-style filmmaking format. For an even more powerful look at this heartbreaking story, seek out Martin Scorsese's underrated 1997 Kundun, the story of the Dalai Lama's central dilemma: sticking to your belief in peace when invaders attack with horrible violence.

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