PRINT: House of Meetings

John Freeman

As the book opens, the loser in this battle for her heart returns to Norlag, the gulag where he spent a dozen-plus years, dredging up old feelings, ruminating on what he expects to get from seeing the source of his deprivation and torture again.

As the years have gone on, believing in Amis' fiction has presented more and more hurdles. That a man would write this way to his family—"in a state of permanent lost temper"—seems unlikely, but Amis' prose is worked to such a fine, filthy froth here it's easy to overlook this minor quibble. This is a powerful story about envy and decline, and the long-term corrosive effects of crime on the soul, in which brotherhood emerges not as a bloodline but a kind of fatal embrace.

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