Special screenings
Dreamgirls
Jennifer Hudson, Beyoncé Knowles, Jamie Foxx. Directed by Bill Condon. 131 minutes. Rated PG-13.
Based on the Broadway musical about a trio of black female soul singers who cross over to the pop charts in the early 1960s. MonteLago Village, Lake Las Vegas. 8/2, 8 pm, free. Info: www.lakelasvegas.com.
Drum Corps International World Championship Quarterfinals
Live broadcast of the 2007 DCI championship from the Rose Bowl in Pasadena, California. Regal Cinemas Village Square, 9400 W. Sahara Ave. Regal Cinemas Colonnade, 8880 S. Eastern Ave. 8/9, 7 pm, $15-$18. Info: www.fathomevents.com.
Gone With the Wind
Vivien Leigh, Clark Gable, Hattie McDaniel. Directed by Victor Fleming. 240 minutes. Not rated.
Leigh is coquettish Southern belle Scarlett O’Hara, and Gable is gambler-rogue Rhett Butler, in one of the best-loved films of all time, an epic of love and loyalty in the Civil War South. Clark County Library, 1401 E. Flamingo Road, 507-3400. 8/7, 1 pm, free.
Grease
John Travolta, Olivia Newton-John, Stockard Channing. Directed by Randal Kleiser. 110 minutes. Rated PG.
Good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they’re now in the same high school, will they be able to rekindle their romance? Rainbow Library, 3150 N. Buffalo Drive, 507-3710. 8/6, 8 pm, free.
IMAX Theatre
Deep Sea 3D, Fighter Pilot, Mystery of the Nile, Dinosaurs Alive, Lions 3D: Roar of the Kalahari
Call for showtimes. $11.99 each show.
Luxor, 3900 Las Vegas Blvd. S., 262-4629.
Jaws
Roy Scheider, Robert Shaw, Richard Dreyfuss. Directed by Steven Spielberg. 124 minutes. Rated PG.
When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and a grizzled fisherman set out to stop it. Henderson Pavilion, 200 S. Green Valley Parkway, 267-4849. 8/4, 8:30 pm, free.
Madeinusa
Magaly Solier, Yiliana Chong, Carlos J. de la Torre. Directed by Claudia Llosa. 100 minutes. Not rated.
Madeinusa is a young girl who lives in an isolated village in the Peruvian mountains. From Good Friday to Easter Sunday, the whole village is engulfed in a religious fervor. During these two holy days sin does not exist: God is dead and can’t see what is happening. Everything changes with the arrival of a young geologist from Lima who will unknowingly change the destiny of the girl. In Spanish with English subtitles. Clark County Library, 1401 E. Flamingo Road, 507-3400. 8/7, 7 pm, free.
Music and Lyrics
Hugh Grant, Drew Barrymore, Brad Garrett. Directed by Marc Lawrence. 96 minutes. Rated PG-13.
A washed-up singer is given a couple of days to compose a chart-topping hit for a teen sensation. Though he’s never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words. MonteLago Village, Lake Las Vegas. 8/9, 8 pm, free. Info: www.lakelasvegas.com.
The Rocky Horror Picture Show
Susan Sarandon, Barry Bostwick, Tim Curry. Directed by Jim Sharman. 100 minutes. Rated R.
The perennial 1975 cult classic is a mix of horror, comedy and musical, featuring sex, transvestites and the Time Warp. Augmented by a live cast and audience participation. Tropicana Cinemas, 3330 E. Tropicana Ave., 243-7469. Sat, midnight, $10. Info: www.rhpsvegas.com. Onyx Theater inside The Rack in Commercial Center, 953 E. Sahara Ave., #101. First & third Sat of month, 11:30 pm, $7. Info: 953-0682 or www.divinedecadence.org.
Saturday Movie Matinee
Watch movies for ages 3-11 in the Young People’s Library. Enterprise Library, 25 E. Shelbourne Ave., 507-3760. 8/4, 8/11, 8/18, 8/25, 11 am, free.
Sixteen Candles
Molly Ringwald, Anthony Michael Hall, Michael Schoeffling. Directed by John Hughes. 93 minutes. Rated PG.
A young girl’s 16th birthday becomes anything but special as she suffers from every embarrassment possible. Sahara West Library, 9600 W. Sahara Ave., 507-3630. 8/4, 2 pm, free.
Viva Las Vegas
Elvis Presley, Ann-Margret, Cesare Danova. Directed by George Sidney. 85 minutes. Not rated.
The story of Lucky Jackson (Presley), a man with a plan to win the Las Vegas Grand Prix. While he tries to prepare his car for the race, he’s distracted by Rusty Martin (Ann-Margret), the beautiful pool manager. Movie plus Elvis lookalike contest. Clark County Amphitheater, 500 Grand Central Parkway, 455-8200. 8/3, movie begins at dark, free.
The Wild Bunch
William Holden, Ernest Borgnine, Robert Ryan. Directed by Sam Peckinpah. 134 minutes. Rated R.
An aging group of outlaws look for one last big score as the traditional American West is disappearing around them. Whitney Library, 5175 E. Tropicana Ave., 507-4010. 8/5, 11:30 am, free.
New this week
The Bourne Ultimatum ***1/2
Matt Damon, David Strathairn, Joan Allen, Julia Stiles. Directed by Paul Greengrass. 115 minutes. Rated PG-13.
See Reviews.
Bratz (Not reviewed)
Nathalia Ramos, Janel Parrish, Logan Browning, Skyler Shaye. Directed by Sean McNamara. 95 minutes. Rated PG.
During their first year of high school, four best girlfriends face off against the domineering student-body president who wants to split them up into different social cliques.
El Cantante **1/2
Marc Anthony, Jennifer Lopez, John Ortiz. Directed by Leon Ichaso. 106 minutes. Rated R.
See Reviews.
Hot Rod *
Andy Samberg, Jorma Taccone, Bill Hader. Directed by Akiva Schaffer. 88 minutes. Rated PG-13.
See Reviews.
Talk to Me ***
Don Cheadle, Chiwetel Ejiofor, Taraji P. Henson, Martin Sheen. Directed by Kasi Lemmons. 118 minutes. Rated R.
See Reviews.
Underdog (Not reviewed)
Peter Dinklage, Patrick Warburton, voices of Jason Lee, Amy Adams. Directed by Frederik Du Chau. 84 minutes. Rated PG.
A lab accident gives a hound named Shoeshine super powers—a secret that the dog eventually shares with the young boy who becomes his owner and friend.
Now playing
1408 ***
John Cusack, Samuel L. Jackson, Mary McCormack. Directed by Mikael Hafstrom. 94 minutes. Rated PG-13.
As writer Mike Enslin, who pens cheapo nonfiction guides like Ten Haunted Houses and Ten Haunted Castles, Cusack uses his sarcastic, hangdog style to sell the character’s cynicism, along with his loneliness. Mike’s at New York’s Dolphin Hotel to stay in the titular room, the site of numerous suicides and natural deaths over the last hundred years or so. Once inside, Mike gets down to the business of being terrorized by the never-defined evil presence in the room. Cusack carries it all, especially when there aren’t any other actors around for him to interact with. –JB
Eagle vs. Shark *
Loren Horsley, Jemaine Clement, Aaron Cortesi. Directed by Taika Waititi. 88 minutes. Rated R.
Waititi piles on the self-consciously quirky elements, turning main characters Lily (Horsley), a shy, mousy fast-food worker, and Jarrod (Clement), a nerdy, self-involved clerk at a video-game store, into grotesque, inhuman mockeries, impossible to feel for or engage with. Inexplicably, Lily is completely smitten with Jarrod, who pointedly ignores her until they start a bizarre romance that’s built on a lack of communication and a total disregard for Lily’s feelings on the part of both characters. Waititi’s obviously trying for a bit of pathos, something more than just pointing and laughing at the freaks, but his characters never exhibit anything resembling actual human behavior, and are so irritating and distasteful that you end up rooting against their finding happiness. –JB
Evan Almighty **
Steve Carell, Morgan Freeman, Lauren Graham. Directed by Tom Shadyac. 94 minutes. Rated PG.
God (Freeman, reprising his Bruce Almighty role) has set his sights on Evan (Carell), who’s left his TV job in Buffalo after being elected to the U.S. Congress. Evan’s barely had time to settle into his new house and job before the smarmy deity shows up and demands that he build an ark in anticipation of a coming flood. Predictably, the ark is less about global disaster and more about Evan learning some important lessons about making time for his family and—most relentlessly and heavy-handedly—caring for the environment. Not that what passes for humor is worth a whole lot—there’s an entire montage of Carell falling down and/or getting hit with things, and far more jokes about bird poop than should ever be in one movie. –JB
Fantastic Four: Rise of the Silver Surfer **
Ioan Gruffudd, Jessica Alba, Chris Evans, Michael Chiklis. Directed by Tim Story. 92 minutes. Rated PG.
In the new sequel Fantastic Four: Rise of the Silver Surfer, the superhero team’s problems begin when first class is overbooked. Their problems continue in the same vein. The million-dollar wedding between Mr. Fantastic and Sue Storm, aka the Invisible Girl (Alba), is over-publicized, and Sue worries about how they’re going to raise a family when they’re so famous. Their wedding is subsequently interrupted when the Silver Surfer begins blowing holes in the planet and knocking out electrical systems. Unfortunately, he’s just the minion of the planet-eater Galactus, who has now been informed that Earth is on the menu. The film hinges entirely on these gigantic, yet straightforward, simple conflicts, resulting in little or no emotional involvement in the characters. –JMA
The Hairspray singalong, with on-screen lyrics so you can belt out the
tunes along with the cast, starts this week a the Suncoast.
Hairspray ***1/2
Nikki Blonsky, John Travolta, Amanda Bynes, Zac Efron. Directed by Adam Shankman. 117 minutes. Rated PG.
It’s been nearly 20 years since cult filmmaker John Waters cleaned up his act long enough to make Hairspray, the tale of pleasantly plump ’60s teen Tracy Turnblad, who fights to get on a local TV dance show and subsequently fights to desegregate the program. Since then, the beloved cult classic has inspired a hit Broadway musical, which has now inspired another silver-screen treatment, which has inspired John Travolta to dress in heavy latex drag. The songs are quick, catchy and frequent. But while they initially push the narrative forward at a satisfying speed, they eventually slow things down to give everyone some time in the spotlight. –MSH
Harry Potter and the Order of the Phoenix ***
Daniel Radcliffe, Emma Watson, Rupert Grint. Directed by David Yates. 138 minutes. Rated PG-13.
There are at least a few significant things going on in Phoenix, which once again finds Harry (Radcliffe) at Hogwarts School of Witchcraft and Wizardry, facing the imminent threat of Voldemort (Ralph Fiennes). When you have a film series that’s seven installments long, eventually you are going to get to the placeholder chapter, and that’s where the Harry Potter series has ended up with its fifth big-screen outing. Longtime Potter fans will probably be eager to forgive Phoenix’s flaws, and even casual viewers will still find plenty to like, but the feeling of marking time, of nothing especially momentous going on in the latest incremental step toward Harry’s final showdown with evil wizard Voldemort, is fairly hard to shake. –JB
I Know Who Killed Me (Not reviewed)
Lindsay Lohan, Julia Ormond, Neal McDonough. Directed by Chris Siverston. 105 minutes. Rated R.
An idyllic small town is rocked when Aubrey Fleming (Lohan), a bright and promising young college student, is abducted and tortured by a serial killer. When she manages to escape, the traumatized young woman who regains consciousness in the hospital insists that she is not who they think she is—and that the real Aubrey is still in mortal danger.
I Now Pronounce You Chuck & Larry **
Adam Sandler, Kevin James, Jessica Biel. Directed by Dennis Dugan. 115 minutes. Rated PG-13.
Never is the possibility addressed that straight firefighters Chuck (Sandler) and Larry (James) could convince the world of the veracity of their sham domestic partnership by doing anything other than embodying loud gay stereotypes. The pair enter into the deception thanks to a plot contrivance that prevents widower Larry from assigning his insurance benefits to his two children. Told the only way around this problem is to get married, Larry enlists best bud Chuck to join him in a partnership that’s meant to exist only on paper. Chuck & Larry ends up patronizing both the frat-boy Sandler audience—presuming they need lectures on tolerance—and the potential gay audience, excusing stereotypes by asserting that the characters have learned it’s wrong to use the word “faggot.” –JB
Joshua ****
Jacob Kogan, Sam Rockwell, Vera Farmiga. Directed by George Ratliff. 105 minutes. Rated R.
The studio has chosen to sell the film as your basic bad-seed thriller, inviting audiences to watch a diabolical Damien clone skulk around a cavernous Manhattan apartment seeking creative ways to destroy his relatives. In truth, the movie does eventually arrive at that point, to its very slight detriment. But walk in unaware, and you could easily mistake Joshua for a remarkably sharp, disquietingly offbeat family drama, exploring the fissures created by the introduction of a new baby to the Cairn household. By the time Joshua develops a morbid fascination with Egyptian mummification, we’re unmistakably in horror territory, awaiting the inevitable body count. Even so, Ratliff jangles our nerves not with gore or with cheap “boo” effects, but via subtly dissonant editing and unsettlingly inexplicable behavior. –MD
Knocked Up ***
Seth Rogen, Katherine Heigl, Paul Rudd, Leslie Mann. Directed by Judd Apatow. 129 minutes. Rated R.
The wholesome values in Knocked Up are effectively intermixed with the movie’s real selling point, its outrageous humor, but it’s clear which side wins out. That makes the film either an act of subversive genius—getting stoners and slackers to appreciate the importance of parenthood—or a strangely conservative scolding in the guise of a dumb comedy. As tempting as it is to give Apatow credit for subversion, it might be safer to say that he’s really just telling his audience to grow up and accept some responsibility. That’s exactly what happens to Ben Stone (Rogen), a prototypical representative of the Apatow demographic, when his one-night stand with driven E! news producer Alison Scott (Heigl) results in an unplanned pregnancy. –JB
La Vie en Rose ***
Marion Cotillard, Gerard Depardieu, Jean-Pierre Martins. Directed by Olivier Dahan. 140 minutes. Rated PG-13. In French with English subtitles.
La Vie en Rose is a film for lovers. Despite focusing on French singer Edith Piaf’s tortured life, the biopic has a romantic heart. We see Edith evolve from a street singer who is discovered by a club owner to her debut in a music hall. Until the scene in the music hall, La Vie en Rose doesn’t have much to recommend it. The first portion of the film is conventional melodrama. But with Piaf’s debut at the music hall, director Dahan starts to gain command and use his imagination. The rest of the film engages. –TM
License to Wed *1/2
Robin Williams, Mandy Moore, John Krasinski. Directed by Ken Kwapis. 90 minutes. Rated PG-13.
You’ve seen Meet the Parents, right? Well, here comes Meet the Pastor! Instead of Robert De Niro’s intimidating paternal figure, we get Williams’ oddball religious figure, but everything else remains the same. The character is still the only thing standing in the way of marital bliss between the well-meaning would-be groom and his personality-deprived bride-to-be. There will be awkward moments with the potential in-laws and escalating slapstick abuse that culminates in the alienation of the young man’s fiancée, who must inevitably call off the wedding by the end of the second act. But when hero and antagonist finally bond, the whole debacle will end in wedding bells. It’s a tired formula even when done right, but License to Wed gets it all wrong. –MSH
Live Free or Die Hard ***
Bruce Willis, Justin Long, Timothy Olyphant, Maggie Q, Mary Elizabeth Winstead. Directed by Len Wiseman. 128 minutes. Rated PG-13.
Live Free or Die Hard is the fourth installment in the increasingly ludicrous action series about everyman New York City cop McClane (Willis) single-handedly stopping massive terrorist attacks. Criminal mastermind Thomas Gabriel (Olyphant, coolly menacing) is a former U.S. intelligence expert now bent on taking down the system he was once hired to protect. McClane’s (and the country’s) only hope against Gabriel’s crippling of the U.S. transportation, financial and utilities infrastructure is hacker/slacker Matt Farrell (Long). Wiseman seems far more interested in concocting ever-more-gigantic action sequences than in examining McClane’s personal life. But, oh, those action sequences: Using a minimum of CGI, Wiseman stages some mind-boggling stunts. –JB
The Lives of Others ****
Ulrich Muhe, Sebastian Koch, Martina Gedeck. Directed by Florian Henckel von Donnersmarck. 137 minutes. Rated R. In German with English subtitles.
Set in East Germany in pre-glasnost 1984, the film centers on an exceedingly bizarre love quadrangle. The long-term romance between successful, outwardly line-toeing playwright Georg Dreyman (Koch) and his girlfriend-muse, actress Christa-Maria Sieland (Gedeck), is thrown into jeopardy when a corpulent minister of culture turns his lustful attention to Christa-Maria. Soon enough, a favor-currying Stasi lieutenant clandestinely assigns secret-police-school instructor Wiesler (Muhe) to begin 24/7 surveillance on Dreyman. Von Donnersmarck strikes an uncommonly graceful balance between his narrative’s espionage-thriller accoutrements and love-story sentimentality, and he leavens things throughout with surprising and welcome bursts of wry humor. –MH
No Reservations **1/2
Catherine Zeta-Jones, Aaron Eckhart, Abigail Breslin. Directed by Scott Hicks. 104 minutes. Rated PG.
No Reservations stars Zeta-Jones as New York City chef Kate Armstrong, a no-nonsense taskmaster at work whose personal life is (surprise!) not nearly as focused or together. Off-screen tragedy dumps a little bundle of lesson-learning in her lap, in the form of niece Zoe (Breslin), whose single mother dies in a car accident. Kate also has to contend with her new sous-chef, Nick (Eckhart), a free spirit who likes to play opera CDs while cooking and to whom Zoe takes an instant liking. Will Kate, too, fall for Nick? Only every single person watching the movie knows for sure. Rather than attacking a familiar formula with gusto, No Reservations moves sluggishly from plot point to plot point. –JB
Ocean’s Thirteen ***
George Clooney, Brad Pitt, Matt Damon, Al Pacino. Directed by Steven Soderbergh. 113 minutes. Rated PG-13.
As in the first film, our heroes have targeted a fabulous Las Vegas casino—this one owned not by Andy Garcia’s Terry Benedict, who’s partially bankrolling the operation, but by a preening, back-stabbing mogul named Willie Bank (Pacino). Their objective isn’t quite what you’d expect, though. Ocean & Co. don’t want Bank’s vast fortune for themselves—they’d just prefer that Bank, who’s both humiliated and hospitalized their jovial mentor, Reuben (Elliott Gould), possess a whole lot less of it. For the most part, Ocean’s Thirteen reverts to the breezy, weightless antics—charismatic men plotting byzantine schemes in exotic locales—that made Eleven such forgettable fun. –MD
Pirates of the Caribbean: At World’s End *
Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush. Directed by Gore Verbinski. 168 minutes. Rated PG-13.
At World’s End picks up, as these things tend to do, roughly where its slightly less inflated predecessor ended, with Elizabeth Swann (Knightley) allied with Captain Barbossa (Rush) and the surviving swabbies of the Black Pearl to rescue Jack Sparrow (Depp) from the very euphemistically named Davy Jones’ locker. Even if you loved The Curse of the Black Pearl and Dead Man’s Chest, this dour, tedious, aggressively unfunny, egregiously padded helping of celluloid fluff will only waste your time and money. –MH
Ratatouille ***
Voices of Patton Oswalt, Lou Romano, Brad Garrett, Janeane Garofalo. Directed by Brad Bird. 110 minutes. Rated G.
It’s a cute and well-animated movie about a Parisian rat named Remy (Oswalt) who has a taste for gourmet food and idolizes a rotund celebrity restaurateur named Gusteau (Garrett). Gusteau’s gone to the great kitchen in the sky, and his eponymous eatery has been taken over by his money-grubbing sous-chef. When Remy finds himself by chance in the restaurant’s kitchen, he inadvertently helps busboy Alfredo Linguini (Romano) create a marvelous dish and becomes a sort of culinary Cyrano de Bergerac to the nervous young man. The plot moves along familiar beats, setting up its conflicts simply and resolving them the same way. –JB
Rescue Dawn ***
Christian Bale, Steve Zahn, Jeremy Davies. Directed by Werner Herzog. 126 minutes. Rated PG-13.
The film scotches virtually all backstory on Dieter Dengler (Bale) and picks up as he prepares to fly his first mission as a U.S. Navy bomber pilot into Laos in 1965. Things go horribly wrong from there: Dengler is shot down and stranded in the jungle, where he’s captured, tortured and finally interned in a remote POW camp. Once inside, he cooks up an escape plan with gentle Air Force pilot Dwayne Martin (Zahn), whose psyche is hanging by a thread, and clashes with a veteran prisoner (Davies). There’s little here that we haven’t seen in The Great Escape or countless Vietnam War movies, but Herzog juices the genre trappings by hanging them on his customary man-versus-nature/individual-versus-collective framework. –MH
Sicko **1/2
Directed by Michael Moore. 113 minutes. Rated PG-13.
Sicko isn’t a bad film, exactly, but anyone who’s ever seen even one of Moore’s previous screeds-cum-documentaries could probably give a fairly accurate summary of its content, sight unseen. As in Fahrenheit 9/11, Moore leans heavily on admittedly affecting but patently manipulative sob stories, introducing us to various ailing Americans whose claims were inexplicably rejected, denied or even rescinded by their health insurers. Trouble is, he has fewer facts and arguments to buttress the human-interest element this time—or, rather, the problem with the U.S. health-care system is so obvious (in a word: capitalism) that even the for-Dummies version requires only a few minutes of screen time. –MD
The Simpsons Movie ***
Voices of Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith. Directed by David Silverman. 87 minutes. Rated PG-13.
There are plenty of laughs in the beginning of the film, which in typical Simpsons fashion takes a circuitous route to the actual plot, and the movie showcases many of the show’s best features, including clever voice cameos (Green Day, Tom Hanks), incisive political satire and hilariously oddball references to obscure bits of culture. Things slow a little as soon as the story kicks into gear, with Simpson patriarch Homer inadvertently sparking an environmental disaster that causes the government to lower a giant dome over Springfield. This feature-length version of the TV show has some snazzier animation but otherwise amounts to a decent oversized episode. –JB
Sunshine ***
Cillian Murphy, Chris Evans, Michelle Yeoh, Rose Byrne. Directed by Danny Boyle. 107 minutes. Rated R.
Sunshine’s doomsday premise has the sun’s own fuel tank running on empty, necessitating an emergency mission to more or less jump-start it by imploding a nuclear bomb deep in its guts. A previous spacecraft, Icarus I, vanished without detonating its payload; Icarus II is mankind’s final hope to avoid imminent extinction. When its crew picks up a distress signal from Icarus I, suggesting that somebody onboard might still be alive seven years after its last known transmission, our heroes must decide whether the needs of the many—namely, everyone on Earth—truly outweigh the needs of the few, or the one. Despite a paltry (by Hollywood standards) f/x budget, Sunshine manages to evoke a vivid, dreadful-yet-reverent sense of mankind’s cosmic insignificance, transforming an object we usually associate with warmth and happiness (sunny disposition, etc.) into an ominous, lethal adversary. –MD
Transformers **
Shia LaBeouf, Megan Fox, Jon Voight, Josh Duhamel. Directed by Michael Bay. 140 minutes. Rated PG-13.
Giant robots that beat each other up are inherently exciting, so it’s frustrating to see the filmmakers behind this behemoth actually turn such a premise into something tedious and boring, stretched out to nearly two-and-a-half hours and saddled with a tone too somber for camp and too silly to be taken seriously. Basically, there’s this thing that’s really important, and both the good guys and the bad guys are after it. Given the relative simplicity of the story and fans’ desire to see as much hot robot-on-robot action as possible, it’s baffling that Bay and his writers pace the movie so slowly, with numerous diversions and dull sidetracks delaying the inevitable Autobot/Decepticon showdown. –JB
Who’s Your Caddy? (Not reviewed)
Antwan Andre Patton, Jeffrey Jones, Terry Crews. Directed by Don Michael Paul. 93 minutes. Rated PG-13.
When a rap mogul from Atlanta tries to join a conservative country club in the Carolinas, he runs into fierce opposition from the board president—but it’s nothing that he and his entourage can’t handle.
You Kill Me ***1/2
Ben Kingsley, Tea Leoni, Luke Wilson. Directed by John Dahl. 92 minutes. Rated R.
On paper, Sir Ben Kingsley starring in a black comedy about an off-and-on-and-off-and-on-the-wagon hitman whose Family ships him from Buffalo to San Francisco for an extended dry-out sounds more risky than Bruce Willis’ return to his comedic roots in The Whole Nine Yards. The supporting cast mesh well within the film’s laconic vibe. Yet it’s Kingsley who best mines twisted comedy out of alcoholic pathos, whether imploring the Golden Gate Bridge for guidance or furrowing his brow, steeling his jaw and making amends to those he’s “harmed” by purchasing gift certificates for their remaining family members. –JS
JMA Jeffrey M. Anderson; JB Josh Bell; MD Mike D’Angelo; MH Mark Holcomb; MSH Matthew Scott Hunter; TM Tony Macklin; JS Julie Seabaugh