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The Decemberists

Julie Seabaugh

The indie-prog storytellers had marched through their tight, polite and mostly uneventful main set, heavy on tracks from 2006 major-label debut The Crane Wife. And then came the encore.

Frontman Colin Meloy (above) prefaced the final number by acknowledging the strict curfew his band faced, "Because ... this song ..."

"Is 80 minutes long!" a male audience member interjected, to the amusement of both crowd and performers.

Meloy conceded it in fact was, then provided instructions on when the audience should come in with a horrified scream (that'd be when guitarist Chris Funk's arms mimicked a whale's inescapable maw). Advancing in a line, the five took to stage front for "The Mariner's Revenge Song."

Accordion, mandolin, upright bass, wailing keyboardist Jenny Conlee and jigging drummer John Moen captured the mother-begs-son-to-avenge-her-death narrative. They swayed in choreographed time at the musical interlude, the crowd clapping in time and mirroring their rigid seamen's-leg stance.

And then that fateful night/We had you in our sight/After 20 months at sea

Your starboard flank abeam/I was getting my muskets clean/When came this rumbling from beneath

The ocean shook/The sky went black/And the captain quailed

And before us grew/The angry jaws/Of a giant whale

The rehearsed shrieks went up, followed by laughter, as Funk re-emerged from stage right holding up the back half of a massive, demonic-eyed, thrashing-tailed, angry-jawed whale. His remaining bandmates put up a good fight, but one by one, he "swallowed" all, leaving their bodies heaped upon the floor.

But soon, revived, they regrouped to jig, leap and high-five through the frantic, ominously building finale:

So lean in close/And I will whisper/The last words you'll hear

"Cirque du Soleil, eat your heart out, huh?" laughed the spent Meloy. "We're available for long engagements at the Mirage." –Julie Seabaugh

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