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Blur is whole, and mighty, once again.
The British trio's latest is a plodding, derivative exercise in empty rage that blatantly mines from its 1997 smash The Fat of the Land.
The indie folk artist's latest uplifts even as it distresses.
The album is the band's first without producer/multi-instrumentalist Chris Walla.
These are songs that need to be heard, for present’s sake.
Unabashedly wordy and awkwardly charming, the Australian's debut LP is a candid hit.
Some bands don’t need to change to maintain our attention.
It's the indie-pop artist's major label debut.
The album doesn’t shy away from pushing boundaries.
It's her most impersonal work yet.
The album was originally meant to be released as a free mixtape.
This is the work of a band perfecting its bewitching abrasiveness.
Has the band scaled back its elephantine sound as a means of moving forward? Of course not.
Josh Tillman's latest features a fictionalized version of his conflicted emotional life and debauched times.
It’s a self-produced collection of pop standards associated with Frank Sinatra, recorded live with Dylan’s band without overdubs.