A&E

Will Ferrell is a reformed supervillain in the mediocre animated ‘Megamind’

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Megamind stars the voices of Will Farrell as a reformed supervillain and Tina Fey as a Lois Lane-like reporter.

The Details

Megamind
Two and a half stars
Will Ferrell, Tina Fey, Jonah Hill.
Directed by Tom McGrath
Rated PG. Opens Friday.
Beyond the Weekly
Megamind
IMDb: Megamind
Rotten Tomatoes: Megamind

Apparently reformed supervillains are the hot new subject matter for kids’ animated movies, so just a few months after Steve Carell voiced a bad guy whose heart was melted by a trio of little girls in Despicable Me, we’re getting Will Ferrell voicing a villain who finds himself becoming a hero in the similarly mediocre Megamind. Like Despicable Me, Megamind is uneasily balanced between action-adventure and family sentiment, although it also goes to some dark places that seem a little extreme for a lighthearted animated movie about a guy with a big blue head.

Megamind starts with Ferrell’s title character killing his arch-nemesis, the square-jawed superhero Metro Man (voiced by Brad Pitt in an amusing but all-too-brief role). Now the ruler of the city with no one to oppose him, Megamind discovers that his life is meaningless. So he sets out to create a new hero, only he accidentally empowers a self-centered jerk (voiced by Jonah Hill) who turns out to be far more villainous than Megamind ever was. So the bad guy must become a good guy, saving the city and getting the girl (Tina Fey as a Lois Lane-style reporter) along the way.

It’s all wrapped up in snazzy, brightly colored animation and loaded with pop-culture references in the familiar Dreamworks style. But there’s a weird pall that hangs over the whole story, even when Metro Man’s death turns out to be not quite what it seems. Carell’s Gru in Despicable Me was a lovable loser, but Megamind is more of a creep, and that makes him hard to root for. If the jokes were a little sharper or the plot a little less cobbled together from superhero clichés, that character complexity might be a strength. Instead it’s just another nagging loose end in a movie that looks fun on the surface but suffers from a serious identity crisis underneath.

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Josh Bell

Josh Bell is the film editor for Las Vegas Weekly, where he's been writing movie and TV reviews since 2002. ...

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